Showing posts with label Post Office. Show all posts
Showing posts with label Post Office. Show all posts

Thursday, 26 April 2012

I got a letter this morning.

There’s a long history of rock and the post office – a long history.

I had returned from university and found myself temporarily in charge of a red framed bicycle and post bag. My degree had been in Sociology and Communication Studies and wandering back into Goldsmiths’ to pick up my ‘award’ for best UK animation etc and explaining to my previous tutors where I was currently at I was met with the line – ‘well it is a form of communications I suppose – the post office’.

Yes thank you for the support – it was reminiscent of Casper receiving his careers advice. Still I had to leave the capital [Exit this Roman shell] at that time – I had those empty pockets and I couldn’t afford the beer.

I used to sing to myself when I was on the post round. Post rounds have that kind of freedom. I was living out a Bukowski phase of my existence. The round was a means to an end – the round was clouded in the rounds I’d had the night before.

Bagging up and off into the emerging morning – sometimes wide eyed from the night before or tired eyed from the weekend – that sense of camaraderie and then emerging isolation all thrown into one. Shouting out inanities as letters were thrown in racks and bandied up in elastic and then just you and your bike – riding to deliver the good, the bad and the ugly.

I used to get a whole heap of things through the post.

Having attempted to write [insightfully] about music on the page – and then thrust it on unsuspecting bowl headed youth at gigs and concerts – somehow my late night ramblings as to the power of The Impossibles to change the world or how the next Clouds release would bring down western capitalism had broken into the ether and people would scrawl letters and sellotape fifty pences to card asking for a copy from all over the world.

Letters with suggestions of bands and sounds – places to visit and voices that chimed with mine. It was an indie scene see? All wrapped together with staples and photocopies. It was the Post Office uniting minds and [teenage] dreams [so hard to beat] so that we felt part of a gang – a movement – a wave – even if we walked our sodden towns’ streets alone.

I didn’t by the way – I had friends – real ones.

But postmen – like me - would have to deliver these letters with scrawls about ‘that’s love ba ba ba ba’ or ‘see it glow and paint a rainbow’. Our own S.W.A.L.K as we borrowed Stephen Pastel’s words to give our ideas a voice. It was fun really. And inside these delicate envelopes came outpourings of independence – of fight and fury as we rallied against the world with our band allegiances proudly displayed on our [t-shirt] sleeve or in my case [my college folder – lever arch maaaan] You had to wait for a letter – a correspondence between two minds – feverishly trying to drop a new piece of indie news into a letter. Have you heard Dolly Mixture? Here’s a tape of my band – a friend’s band – my dad’s band. It was counter to all the NME blurgh – it was social networking without technology. It was different. We didn’t ‘like’ one another’s page see – we wrote letters to each other – if we disagreed – we either worked it out in ink – or stopped writing. No flaming or trolling for us. So sounds emerged slowly, with less fanfare. You could argue that it gave everyone time to make a decision about music – about selecting and rejecting – living with the listening rather than flipping and shuffling. You had a cassette from someone – they’d taken some time to tape it – it deserved a listen – a real listen – you were going to have to write back.

I ‘liked’ a page on Facebook this morning – and then had a quick skip through a ‘deep house session’ on Soundcloud that I was directed to from the page and haven’t really given any of it my attention. I left with little opinion. But when Stephen from Middlesborough wrote and asked again what it was I didn’t like about the tape he sent – I had to return and listen - form judgements and write down my reasons – perhaps this naïve correspondence of hurt feelings and the race to impress shaped my thinking processes – perhaps I just pause for thought sometimes.

You have to take a breath to read - to listen.

Which brings me to this – a simple song – that I discovered through a shared love of anoraks and bowlheads – or should that read rock n roll and anger. And of course Paul’s recommendations too. There wasn’t anything twee in digging The Pastels - it was about the real rock in roll. There’s that simplicity in all The Pastels songs – chugging guitars and heartfelt responses. Melodies that linger and race around your brain.

Stephen and Aggi making beautiful noise and shared cassettes and memories scrawled down on paper making connections.

They’re raising the price of the post. No more time to pause then.

Put away your pens.




Friday, 21 January 2011

Picked her up on a Friday Night.

It had been the first term of teacher training – through the help of Colin I was still on the course – his cash injection had not gone up my nose – I had spent wisely and paid the rent. Bought sausages – frozen – they go further and had somehow managed to turn into Top Valley each day with a smile. To be honest I was quite enjoying the change from the drudgery of the post office.
In some ways Scunthorpe was out of my system – I’d had my friendly visit from the girl in the office. But it had been fumbles and disinterest that had put a stop to that. I couldn’t quite muster the enthusiasm as we had sat in a small local public house as men played darts and the jukebox played Foreigner.


And over those weeks – she had came into my senses – a glance at a table – a face in the crowd – a stomp up the hill. All green coat, cigarette and boots. I was still living the modernist dream – on the cheap – clean living in dirty times – well cleanish living. When I arrived in the midlands mayhem I wasn’t necessarily looking to fall in L.O.V.E...love. I thought I was going to hang around a little – get the script on the teaching lark and run to the warm embrace of Leeds or Sheffield. Back to the panic on the streets and [yeah, yeah] industrial estates. What little did I know. So with borrowed lighters and nods and small talk about this and that I realised I was smitten – bitten. No real conversation had passed our lips. But we had bonded over awkward moments in public forums– and that sort of ‘ting.


And the cold dark nights came rushing in. I had spent that first term in the company of LTJ Bukem, Andrew Weatherall, The Charlatans, Elvis Presley and The Small Faces. I would spend many a night with the company of her and The Small Faces. It was a Friday – dogtooth check flat fronted trousers, a red check button down shirt – it was a late 1970s one – could possibly have been the start of the eighties – purchased in the RSPCA charity shop on Ashby High Street. The scene of numerous special finds – through book, shirts, jackets, vinyl and cassettes. And a denim jacket – press stud fastening – deep blue and fitted.


I’m the face if you want it – a fat face .


So with some trepidation I rocked up from the Rylands to the campus block – past Ula’s – the site of white cider purchases and 10 silk cut/ number 1s – depended upon who was smoking the most to Helen and that northern lass’s birthday/ Christmas bash. Not hoping – just partaking. She was there – I was pointed out. Promptly felt and fell into broken conversations. Harvey was there too – what sort of a bloody girl’s name is Harvey – Hello I’m Harvey and I’ve come to give you gip – I’ve got one of these for you sonny Jim – I’ve got one of those for you – my name is Harvey.


All the while the disco rattled the bass cones – these fragile bones - as I tried to engage in serious conversation with a frivolous edge. So well and truly picked up on this Friday night I walked her home – with the northern cuddle – and tales of crisps and brothers.


And every time I hear that guitar – not distorted but ringing with its opening to love and adventure and Marriot rasping those lyrics I get carried back to those times and i know everything is gonna be alright. And that’s what music can do – the power to transport and move. It’s just a swirling mass of energy – the rush of new love and it catching fire right down to where the story ends – when we invited just a few close friends. Simplicity. You see this is the real r ‘n’ b wrapped up in style – with content – there’s a difference see [which clearly wasn’t noted during the Britpop era – menswear anyone?] These are genuine soul artists – veering on the heavy. The stomp of the tiny feet that create a much larger sound – much like my two boys in the morning as they find ever more elaborate things to throw onto the floor as they charge around the upper deck.


This is a gang – man.


It might not be my favourite faces tune – I think You Better Believe It could be the one – but it chimes with the times and it chimes with us. Sha la la la lee. It’s all those Carisbrooke times and Peveril Road walks rolled into three minutes or so. It’s a taking back and looking forward feeling – it’s walking up to meet her by the Beeston Man [I think they’re wasps] – and feeling on top of the world [if attired in the get up of a Likely Lad]


It’s feeling like there’s some kind of possible.


It where modernism takes you.