Sounds from the overground - solitary rants from the listening man No.4

I have finished 'Don't Rhyme for the sake of Riddlin'. It was about Public Enemy. It could have been better - but it got me listening to Chuck and Flav again.

I made four compilation CDs for a drive up North.

I read a review of Camp Bestival and how the Happy Mondays were a triumph.

I was offered the chance of a ticket to the closing ceremony Hyde park concert with New Order, The Specials and Blur. I turned it down.

I played Show Biz Kids by Steely Dan to my brother.

I looked through a whole heap of old concert photographs including Primal Scream, The Cure, The Groove Farm, The Pastels and My Bloody Valentine.

I heard Adam Ant in the distance.

I continued to to create more lies about George Harrison.

I further lost touch with modern pop music.

I looked up where the HMV Forum was in preparation for going to see P.I.L. I also read the Mojo article with Lydon and his band and kind of got excited.

I found myself becoming increasingly frustrated that an article in Mojo had included No UFO's over Strings of Life as the most  seminal and important 'electronic' records from Detroit and don't get me started about the inclusion of Selected Ambient Works II and no sign of The Orb'd first long player in it's Top 50 records. Easy journalism on the rise again.

I wondered,with Emma, why the Stone Roses didn't feature in Danny Boyle's opening ceremony musical interlude. Clearly a Blur fan.

I noted that the ongoing transformation of Alex Turner into Bono continues at a pace.

I got my brother to copy a load of music for me - which he had already done but I had lost the discs. It happens on a frequent basis.

I recorded the first two Sha La La flexi discs to computer and an single from a Manchester band called The Weeds.

I started several posts for this blog. I have yet to finish them.

I did watch this again though. Public Enemy rockin' the spot at the London DMC awards 1989 - the video says 88. But don't believe the hype. What makes this is the way that Flav makes this happen - the record will get played and the audience will get entertained. Hip Hop as rock n roll.